In his painterly portrayal of landscapes and figures, Yan Zhenduo presents the vividness and vigor of all living things.
Peng Wei is known for her works attempting to bring the tradition of ink-and-water paintings into the narratives of modern life.
The National Museum of China has recently completed upgrading the layout of several of its permanent exhibitions including Ancient Chinese Porcelain.
Dozens of figure paintings, spanning from the 16th to the 20th centuries, are on show at the Powerlong Museum in Shanghai.
This spirit of diligence was behind the accomplishments of Li Jiazhen (1917-2008) in oil painting.
The Inner Mongolia autonomous region in North China is a destination of serenity and poetic beauty for many visitors.
The successive reigns of Kangxi, Yongzheng and Qianlong, three powerful emperors of the Qing Dynasty (1644-1911), saw social stability and prosperity.
Tang Ying, the supervisor of imperial ceramic kilns under the reign of Emperor Qianlong of the Qing Dynasty, said it was the burning fire that turned clay into porcelain ware.
In more than five decades as a painter, Dai Ze has been drawing with blurry vision caused by an eye disease.
In his most well-known prose Taohuayuan Ji (Peach Blossom Spring), Tao Yuanming wrote about a place where people live a peaceful, self-sufficient life free from worldly worries.
Exhibits at the show include human statues, jade dragons and eagles, reflecting the aesthetics and lifestyle of the people.
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Copyright © Ministry of Culture and Tourism, P.R.China. All rights reserved
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